In other words, he is not his father, a fact made clear by his unforgettable catchphrase: “I am not my father.”Īt times, it feels like every line that comes out of Jake’s mouth speaks to that idea in one way or another, as though none of the four credited screenwriters recognized the irony of writing an inoffensively derivative sequel that centers on one theme: “Don’t let other people define who you are.”Īnyway, the story kicks into gear once Jake bumps into an orphaned tinkerer named Amara Namani (Cailee Spaeny), the both of them flown to a Chinese military base and involuntarily recruited into the PPDC (Plot Point Defense Corps?).
#Pacfifc rim mind meld free
A resourceful slacker played by a buoyant John Boyega - the London native free to roll with his natural accent and excitable sense of humor for the first time since “Attack the Block” - Jake is more interested in selling tech from decommissioned Jaegers than he is in piloting them. Since Charlie Hunnam’s character is never mentioned and nowhere to be found (a strong premise for any “Pacific Rim” sequel), and Stacker Pentecost is still extremely dead, our hero this time around is his son, Jake. Read More: Guillermo del Toro Explains Why He Didn’t Helm ‘Pacific Rim 2’ And that’s exactly what they’re getting - no more, no less.
#Pacfifc rim mind meld movie
With “Uprising,” people are expecting a movie that’s going to make a lot of money in China.
#Pacfifc rim mind meld series
While the first installment was brought to the screen by one of the world’s most imaginative filmmakers, the second one is brought to you by a guy whose greatest claim to fame is creating a Starz series that perfectly split the difference between “300” and softcore porn (in fairness and respect, “Spartacus: Blood and Sand” remains one of premium cable’s guiltiest pleasures).ĭel Toro was coming off the wonderfully spirited “Hellboy II: The Golden Army,” while DeKnight’s most recent credit is as a creative consultant on something called “ Travel Boobs.” With “Pacific Rim,” people were expecting a modern classic. For one thing, del Toro is no longer in the director’s chair still serving as a producer on the project, he’s bequeathed his seat to Steven S.
A universally beloved pop auteur mashing his love for Ray Harryhausen and otaku culture into an $190 million blockbuster about very giant monsters fighting very giant robots? It sounded like an urgent reprieve from the soulless corporate write-offs that defines the summer movie season, and not just a hollow, incoherent spectacle that felt more like an homage to Michael Bay than Ishirō Honda.Īs a direct result of that disappointment, “Pacific Rim Uprising” stomps into theaters with a very different set of baggage. When Guillermo del Toro’s original came out in July 2013, people were primed for something special. The biggest difference between “Pacific Rim” and its perfunctory new sequel can be summed up in one word: expectations.
0 kommentar(er)
